{"id":655,"date":"2016-03-23T16:19:58","date_gmt":"2016-03-23T16:19:58","guid":{"rendered":"http:\/\/blog.songtive.com\/?p=655"},"modified":"2016-03-23T16:21:03","modified_gmt":"2016-03-23T16:21:03","slug":"4-ways-to-develop-instrumental-solos","status":"publish","type":"post","link":"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/","title":{"rendered":"4 Ways to Develop Instrumental Solos"},"content":{"rendered":"<p><a href=\"https:\/\/blog.songtive.com\/wp-content\/uploads\/2016\/03\/tutorial.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-624 size-full\" src=\"https:\/\/blog.songtive.com\/wp-content\/uploads\/2016\/03\/tutorial.png\" alt=\"tutorial\" width=\"940\" height=\"528\" srcset=\"https:\/\/www.songtive.com\/blog\/wp-content\/uploads\/2016\/03\/tutorial.png 940w, https:\/\/www.songtive.com\/blog\/wp-content\/uploads\/2016\/03\/tutorial-300x168.png 300w, https:\/\/www.songtive.com\/blog\/wp-content\/uploads\/2016\/03\/tutorial-624x350.png 624w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/p>\n<p><em>This time we will get some new resources to our composition toolbox. We will learn how to focus the creation of an instrumental solo \u2013 be it for guitar, piano, bass or any other instrument. But enough talk, let\u2019s check it out!<\/em><\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_74 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/#The_Resources\" >The Resources<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/#1_Arpeggios\" >1. Arpeggios<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/#2_Thirds_Sixths\" >2. Thirds &amp; Sixths<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/#3_Passing_Tones\" >3. Passing Tones<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/#4_ChordScale_Relationship\" >4. Chord\/Scale Relationship<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"The_Resources\"><\/span>The Resources<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>The musical resources we are going to discuss can be applied to any genre or style you like, because they won\u2019t affect the singularities of any of them. You can list them in this way:<\/p>\n<ol>\n<li>Arpeggios<\/li>\n<li>Thirds &amp; Sixths<\/li>\n<li>Passing Tones<\/li>\n<li>Chord\/Scale relationship<\/li>\n<\/ol>\n<p>The most important thing to keep in mind is that all of them work <strong>within the harmony<\/strong>; this means you have to use them being careful of the chord tones! That\u2019s it! 4 powerful tips will really get you to start developing really nice signature solos for you. Let\u2019s get into the details:<\/p>\n<h2><span class=\"ez-toc-section\" id=\"1_Arpeggios\"><\/span>1. Arpeggios<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Arpeggios are the way in which chords are broken into their chord tones and rearranged. Let\u2019s take the following chord progression for example:<\/p>\n<div style=\"width: 100%; text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.songtive.com\/songs\/15H\/hotel-california?mini=1\" width=\"420\" height=\"115\" frameborder=\"0\"><\/iframe><\/div>\n<p>And break it into their chord tones:<\/p>\n<p><strong>Bm:<\/strong> B \u2013 D \u2013 F#<br \/>\n<strong>F#:<\/strong> F# &#8211; A# &#8211; C#<br \/>\n<strong>A:<\/strong> A \u2013 C# &#8211; E<br \/>\n<strong>E:<\/strong> E \u2013 G# &#8211; B<br \/>\n<strong>G:<\/strong> G \u2013 B \u2013 D<br \/>\n<strong>D:<\/strong> D \u2013 F# &#8211; A<br \/>\n<strong>Em:<\/strong> E \u2013 G \u2013 B<\/p>\n<p>This is the chord progression for <em>Hotel California by The Eagles<\/em>. When you take those notes and combine them in a creative way, playing along with the chords behind, you get an epic solo! Check it out:<\/p>\n<div style=\"width: 100%; text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/7N24OhunIGo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Thanks to YouTube user hutgreen for his great performance!<\/p>\n<p>The arpeggios start at 1:29, take a good look at how only the chord tones are used during each change of the harmony behind it.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"2_Thirds_Sixths\"><\/span>2. Thirds &amp; Sixths<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>When you already have a melody and you\u2019d like to add some interest to it, or you\u2019d like to sound fresh and can\u2019t-go-wrong in terms of harmony, using thirds and\/or sixths below or above the melody will be an excellent choice. Thirds and\/or sixths tend to sound good because they are consonant with the notes they part from.<\/p>\n<p>If you\u2019re doing a run like the B \u2013 D \u2013 B \u2013 A \u2013 G like the one at 1:18, and add up the thirds below them: G \u2013 B \u2013 G \u2013 F# &#8211; E, you will get a beautiful harmonization of the main melody!<\/p>\n<h2><span class=\"ez-toc-section\" id=\"3_Passing_Tones\"><\/span>3. Passing Tones<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>If all the melodies were based entirely in chord tones it would be really dull doesn\u2019t it? So we will add some \u201coutside\u201d notes that will color our solo adding a singing quality to it! How? Just place one note \u201cpassing\u201d between two chord tones! Let\u2019s see another example:<\/p>\n<div style=\"width: 100%; text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/bbr60I0u2Ng\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>At 2:46 the solo starts with a G \u2013 C \u2013 B and a C major chord behind it. The B note doesn\u2019t belong to the C major chord tones\u2019 but hitting it right after a note that does adds a nice color effect. Then it goes C \u2013 D \u2013 E behind a C major chord again, the D note keeps the melody singing!<\/p>\n<h2><span class=\"ez-toc-section\" id=\"4_ChordScale_Relationship\"><\/span>4. Chord\/Scale Relationship<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Remember all those scale patterns you learned? Major scales, minor scales, minor pentatonic scales? It\u2019s time to put them to use!<br \/>\nThe ideal way to use those patterns is to apply the one that contains the notes of the chord we are playing above and experiment with different rhythms and positions! For those piano players out there: let\u2019s take the A minor pentatonic pattern from <a href=\"https:\/\/pianocompanion.info\/app\/\">Piano Companion<\/a> as an example:<\/p>\n<p><a href=\"https:\/\/blog.songtive.com\/wp-content\/uploads\/2016\/03\/img_56f2bfa52be0a.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-661 size-full\" src=\"https:\/\/blog.songtive.com\/wp-content\/uploads\/2016\/03\/img_56f2bfa52be0a.png\" alt=\"\" width=\"370\" height=\"393\" srcset=\"https:\/\/www.songtive.com\/blog\/wp-content\/uploads\/2016\/03\/img_56f2bfa52be0a.png 370w, https:\/\/www.songtive.com\/blog\/wp-content\/uploads\/2016\/03\/img_56f2bfa52be0a-282x300.png 282w\" sizes=\"auto, (max-width: 370px) 100vw, 370px\" \/><\/a><\/p>\n<p>The notes are, from left to right: A \u2013 C \u2013D \u2013 E \u2013 G \u2013 A and it repeats again on the remaining keys.<\/p>\n<div style=\"width: 100%; text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/300np1qzdnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Check out how the <em>Stairway to Heaven<\/em> solo starts at 0:13 using E as the first note (chord tone of A minor) and A as the closing one at 0:16. Both notes right on the pentatonic pattern you already know, <strong>but giving relevance to the chord tones<\/strong>!<\/p>\n<p>Now that you own these awesome resources it\u2019s time to create your perfect solo using <a href=\"https:\/\/www.songtive.com\">Songtive<\/a>! Get your melody tool and use the <a href=\"https:\/\/pianocompanion.info\">Piano Companion tool<\/a> to experiment with the music I am sure is sounding in your head!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This time we will get some new resources to our composition toolbox. We will learn how to focus the creation of an instrumental solo \u2013 be it for guitar, piano, bass or any other instrument. But enough talk, let\u2019s check it out! The Resources The musical resources we are going to discuss can be applied [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[4,20,29,10],"class_list":["post-655","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-chords","tag-music-theory","tag-solos","tag-songtive"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>4 Ways to Develop Instrumental Solos - Songtive Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.songtive.com\/blog\/4-ways-to-develop-instrumental-solos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"4 Ways to Develop Instrumental Solos - Songtive Blog\" \/>\n<meta property=\"og:description\" content=\"This time we will get some new resources to our composition toolbox. 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