A working chart of every key's tonal relationships. Tap a sector to see its key signature, scale, relative minor, and the chords that build progressions in that key.
The circle of fifths is a visualization of the twelve major and twelve minor keys, arranged so each step clockwise raises the tonic by a perfect fifth. The outer ring shows major keys; the inner ring shows their relative minors, which share the same key signature. Musicians use it to memorize key signatures, find chords that fit a key, transpose songs, and modulate smoothly between related keys.
Drag to rotate · Tap a sector to select
Each major key shares a key signature with one minor key. They use the same seven notes but feel completely different — the listener's ear hears the tonic, not the notes.
| Major | Relative minor | Key signature |
|---|---|---|
| C | Am | — |
| G | Em | 1♯ |
| D | Hm | 2♯ |
| A | Fism | 3♯ |
| E | Cism | 4♯ |
| H / Ces | Gism / Asm | 5♯ / 7♭ |
| Fis / Ges | Dism / Esm | 6♯ / 6♭ |
| Des | Bm | 5♭ |
| As | Fm | 4♭ |
| Es | Cm | 3♭ |
| B | Gm | 2♭ |
| F | Dm | 1♭ |
The circle of fifths is a diagram showing the relationships between the twelve tones of the Western chromatic scale, organized so that each step clockwise raises the pitch by a perfect fifth. Each position on the circle is also a key, and the diagram makes it easy to see which keys are closely related (adjacent), how many sharps or flats each key has, and how to transpose chord progressions.
Start at C at the top, which has zero sharps or flats. Moving clockwise adds one sharp per step (G has 1♯, D has 2♯, and so on). Moving counter-clockwise adds one flat per step (F has 1♭, B♭ has 2♭). The inner ring shows each major key's relative minor — the minor key with the same key signature.
Three reasons. First, it shows you which chords sound 'natural' together: the I, IV, and V chords of any key sit next to each other on the circle. Second, it helps with modulation — moving to a neighboring key on the circle is a smooth, common transition. Third, it makes transposing a song to a new key trivial, because the chord relationships stay the same; only the names rotate.
Each major key and its relative minor share a key signature and use the same seven notes. C major and A minor both have no sharps or flats; G major and E minor both have one sharp. The relative minor sits a minor third below the major (or three semitones), which is why the inner ring is offset from the outer ring on the wheel.