The C♯ Lydian Dominant scale contains 7 notes: C♯, D♯, E♯, F♯♯, G♯, A♯, B.
Lydian dominant is the fourth mode of melodic minor — a major scale with a raised fourth and a lowered seventh. It is the standard choice over an unresolved dominant seventh sharp eleven chord, and it is sometimes called the acoustic or overtone scale.
C♯ Lydian Dominant uses the same notes as G♯ Melodic Minor, started from degree 4 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
C♯ Lydian Dominant is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音级 | 音符 | 音程 | Semitones |
|---|---|---|---|
| 1 | C♯ | P1 | 0 |
| 2 | D♯ | M2 | 2 |
| 3 | E♯ | M3 | 4 |
| 4 | F♯♯ | TT | 6 |
| 5 | G♯ | P5 | 7 |
| 6 | A♯ | M6 | 9 |
| 7 | B | m7 | 10 |
These are the triads built on each degree of C♯ Lydian Dominant using only notes from the scale.
Every scale type that starts on C♯, for comparison.
The C♯ Lydian Dominant scale has 7 notes: C♯, D♯, E♯, F♯♯, G♯, A♯, B.
The C♯ Lydian Dominant scale follows the step pattern W–W–W–H–W–H–W, where H is a half step and W is a whole step.
C♯ Lydian Dominant is the mode of G♯ Melodic Minor that starts on its 4 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the C♯ Lydian Dominant scale are C♯, D♯, E♯dim, F♯♯dim, G♯m, A♯m, Baug.