The D♯ Phrygian Dominant scale contains 7 notes: D♯, E, F♯♯, G♯, A♯, B, C♯.
Phrygian dominant is the fifth mode of harmonic minor — a major scale with a lowered second, sixth and seventh. It fits over a dominant seventh chord with a flat ninth, and it is the sound of flamenco, klezmer and middle eastern melody.
D♯ Phrygian Dominant uses the same notes as G♯ Harmonic Minor, started from degree 5 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
D♯ Phrygian Dominant is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| Derece | Nota | Aralık | Semitones |
|---|---|---|---|
| 1 | D♯ | P1 | 0 |
| 2 | E | m2 | 1 |
| 3 | F♯♯ | M3 | 4 |
| 4 | G♯ | P4 | 5 |
| 5 | A♯ | P5 | 7 |
| 6 | B | m6 | 8 |
| 7 | C♯ | m7 | 10 |
These are the triads built on each degree of D♯ Phrygian Dominant using only notes from the scale.
Every scale type that starts on D♯, for comparison.
The D♯ Phrygian Dominant scale has 7 notes: D♯, E, F♯♯, G♯, A♯, B, C♯.
The D♯ Phrygian Dominant scale follows the step pattern H–W+H–H–W–H–W–W, where H is a half step and W is a whole step.
D♯ Phrygian Dominant is the mode of G♯ Harmonic Minor that starts on its 5 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the D♯ Phrygian Dominant scale are D♯, E, F♯♯dim, G♯m, A♯dim, Baug, C♯m.