The G♯ Phrygian Dominant scale contains 7 notes: G♯, A, B♯, C♯, D♯, E, F♯.
Phrygian dominant is the fifth mode of harmonic minor — a major scale with a lowered second, sixth and seventh. It fits over a dominant seventh chord with a flat ninth, and it is the sound of flamenco, klezmer and middle eastern melody.
G♯ Phrygian Dominant uses the same notes as C♯ Harmonic Minor, started from degree 5 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
G♯ Phrygian Dominant is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| Derajat | Not | Interval | Semitones |
|---|---|---|---|
| 1 | G♯ | P1 | 0 |
| 2 | A | m2 | 1 |
| 3 | B♯ | M3 | 4 |
| 4 | C♯ | P4 | 5 |
| 5 | D♯ | P5 | 7 |
| 6 | E | m6 | 8 |
| 7 | F♯ | m7 | 10 |
These are the triads built on each degree of G♯ Phrygian Dominant using only notes from the scale.
Every scale type that starts on G♯, for comparison.
The G♯ Phrygian Dominant scale has 7 notes: G♯, A, B♯, C♯, D♯, E, F♯.
The G♯ Phrygian Dominant scale follows the step pattern H–W+H–H–W–H–W–W, where H is a half step and W is a whole step.
G♯ Phrygian Dominant is the mode of C♯ Harmonic Minor that starts on its 5 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the G♯ Phrygian Dominant scale are G♯, A, B♯dim, C♯m, D♯dim, Eaug, F♯m.