The 嬰ニ Phrygian scale contains 7 notes: 嬰ニ, ホ, 嬰ヘ, 嬰ト, 嬰イ, ロ, 嬰ハ.
Phrygian is the third mode of the major scale — a minor scale with a lowered second. The half step between the first two notes gives it the Spanish and flamenco colour, and it is a staple of metal riffing.
嬰ニ Phrygian uses the same notes as ロ メジャー, started from degree 3 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
嬰ニ Phrygian is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音度 | 音 | 音程 | Semitones |
|---|---|---|---|
| 1 | 嬰ニ | P1 | 0 |
| 2 | ホ | m2 | 1 |
| 3 | 嬰ヘ | m3 | 3 |
| 4 | 嬰ト | P4 | 5 |
| 5 | 嬰イ | P5 | 7 |
| 6 | ロ | m6 | 8 |
| 7 | 嬰ハ | m7 | 10 |
These are the triads built on each degree of 嬰ニ Phrygian using only notes from the scale.
Every scale type that starts on 嬰ニ, for comparison.
The 嬰ニ Phrygian scale has 7 notes: 嬰ニ, ホ, 嬰ヘ, 嬰ト, 嬰イ, ロ, 嬰ハ.
The 嬰ニ Phrygian scale follows the step pattern H–W–W–W–H–W–W, where H is a half step and W is a whole step.
嬰ニ Phrygian is the mode of ロ メジャー that starts on its 3 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the 嬰ニ Phrygian scale are 嬰ニm, ホ, 嬰ヘ, 嬰トm, 嬰イdim, ロ, 嬰ハm.