The 変ロ Phrygian scale contains 7 notes: 変ロ, 変ハ, 変ニ, 変ホ, ヘ, 変ト, 変イ.
Phrygian is the third mode of the major scale — a minor scale with a lowered second. The half step between the first two notes gives it the Spanish and flamenco colour, and it is a staple of metal riffing.
変ロ Phrygian uses the same notes as 変ト メジャー, started from degree 3 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
変ロ Phrygian is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音度 | 音 | 音程 | Semitones |
|---|---|---|---|
| 1 | 変ロ | P1 | 0 |
| 2 | 変ハ | m2 | 1 |
| 3 | 変ニ | m3 | 3 |
| 4 | 変ホ | P4 | 5 |
| 5 | ヘ | P5 | 7 |
| 6 | 変ト | m6 | 8 |
| 7 | 変イ | m7 | 10 |
These are the triads built on each degree of 変ロ Phrygian using only notes from the scale.
Every scale type that starts on 変ロ, for comparison.
The 変ロ Phrygian scale has 7 notes: 変ロ, 変ハ, 変ニ, 変ホ, ヘ, 変ト, 変イ.
The 変ロ Phrygian scale follows the step pattern H–W–W–W–H–W–W, where H is a half step and W is a whole step.
変ロ Phrygian is the mode of 変ト メジャー that starts on its 3 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the 変ロ Phrygian scale are 変ロm, 変ハ, 変ニ, 変ホm, ヘdim, 変ト, 変イm.