The 変イ Phrygian Dominant scale contains 7 notes: 変イ, ロ♭♭, ハ, 変ニ, 変ホ, 変ヘ, 変ト.
Phrygian dominant is the fifth mode of harmonic minor — a major scale with a lowered second, sixth and seventh. It fits over a dominant seventh chord with a flat ninth, and it is the sound of flamenco, klezmer and middle eastern melody.
変イ Phrygian Dominant uses the same notes as 変ニ Harmonic Minor, started from degree 5 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
変イ Phrygian Dominant is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音度 | 音 | 音程 | Semitones |
|---|---|---|---|
| 1 | 変イ | P1 | 0 |
| 2 | ロ♭♭ | m2 | 1 |
| 3 | ハ | M3 | 4 |
| 4 | 変ニ | P4 | 5 |
| 5 | 変ホ | P5 | 7 |
| 6 | 変ヘ | m6 | 8 |
| 7 | 変ト | m7 | 10 |
These are the triads built on each degree of 変イ Phrygian Dominant using only notes from the scale.
Every scale type that starts on 変イ, for comparison.
The 変イ Phrygian Dominant scale has 7 notes: 変イ, ロ♭♭, ハ, 変ニ, 変ホ, 変ヘ, 変ト.
The 変イ Phrygian Dominant scale follows the step pattern H–W+H–H–W–H–W–W, where H is a half step and W is a whole step.
変イ Phrygian Dominant is the mode of 変ニ Harmonic Minor that starts on its 5 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the 変イ Phrygian Dominant scale are 変イ, ロ♭♭, ハdim, 変ニm, 変ホdim, 変ヘaug, 変トm.