The 嬰ハ Mixolydian scale contains 7 notes: 嬰ハ, 嬰ニ, 嬰ホ, 嬰ヘ, 嬰ト, 嬰イ, ロ.
Mixolydian is the fifth mode of the major scale — a major scale with a lowered seventh. It is the sound of a dominant seventh chord spelled out as a scale, and the default choice over blues, rock and funk vamps.
嬰ハ Mixolydian uses the same notes as 嬰ヘ メジャー, started from degree 5 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
嬰ハ Mixolydian is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音度 | 音 | 音程 | Semitones |
|---|---|---|---|
| 1 | 嬰ハ | P1 | 0 |
| 2 | 嬰ニ | M2 | 2 |
| 3 | 嬰ホ | M3 | 4 |
| 4 | 嬰ヘ | P4 | 5 |
| 5 | 嬰ト | P5 | 7 |
| 6 | 嬰イ | M6 | 9 |
| 7 | ロ | m7 | 10 |
These are the triads built on each degree of 嬰ハ Mixolydian using only notes from the scale.
Every scale type that starts on 嬰ハ, for comparison.
The 嬰ハ Mixolydian scale has 7 notes: 嬰ハ, 嬰ニ, 嬰ホ, 嬰ヘ, 嬰ト, 嬰イ, ロ.
The 嬰ハ Mixolydian scale follows the step pattern W–W–H–W–W–H–W, where H is a half step and W is a whole step.
嬰ハ Mixolydian is the mode of 嬰ヘ メジャー that starts on its 5 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the 嬰ハ Mixolydian scale are 嬰ハ, 嬰ニm, 嬰ホdim, 嬰ヘ, 嬰トm, 嬰イm, ロ.