The 嬰ヘ Mixolydian scale contains 7 notes: 嬰ヘ, 嬰ト, 嬰イ, ロ, 嬰ハ, 嬰ニ, ホ.
Mixolydian is the fifth mode of the major scale — a major scale with a lowered seventh. It is the sound of a dominant seventh chord spelled out as a scale, and the default choice over blues, rock and funk vamps.
嬰ヘ Mixolydian uses the same notes as ロ メジャー, started from degree 5 instead of the first. The notes are shared; the tonic, and therefore the sound, is not.
嬰ヘ Mixolydian is a scale, not a key. It has no key signature of its own — music that uses it is normally written in the key signature of its parent scale, with any extra accidentals added as they occur.
| 音度 | 音 | 音程 | Semitones |
|---|---|---|---|
| 1 | 嬰ヘ | P1 | 0 |
| 2 | 嬰ト | M2 | 2 |
| 3 | 嬰イ | M3 | 4 |
| 4 | ロ | P4 | 5 |
| 5 | 嬰ハ | P5 | 7 |
| 6 | 嬰ニ | M6 | 9 |
| 7 | ホ | m7 | 10 |
These are the triads built on each degree of 嬰ヘ Mixolydian using only notes from the scale.
Every scale type that starts on 嬰ヘ, for comparison.
The 嬰ヘ Mixolydian scale has 7 notes: 嬰ヘ, 嬰ト, 嬰イ, ロ, 嬰ハ, 嬰ニ, ホ.
The 嬰ヘ Mixolydian scale follows the step pattern W–W–H–W–W–H–W, where H is a half step and W is a whole step.
嬰ヘ Mixolydian is the mode of ロ メジャー that starts on its 5 degree. Both scales use the same notes but resolve to a different tonic.
The triads built from the 嬰ヘ Mixolydian scale are 嬰ヘ, 嬰トm, 嬰イdim, ロ, 嬰ハm, 嬰ニm, ホ.