Emadd11 7-String Guitar-akkord — Diagram og Tabs i fake 8 string-stemning

Kort svar: Emadd11 er en E Mol add11-akkord med tonerne E, G, H, A. I fake 8 string-stemning er der 120 positioner. Se diagrammerne nedenfor.

Leder du efter Emadd11 (Standard Stemning)?

KlaverakkorderInstrumenterStemninger

Hvordan spiller man Emadd11 på 7-String Guitar

Emadd11

Toner: E, G, H, A

0,0,0,0,x,0,0 (....x..)
x,0,0,0,x,0,0 (x...x..)
x,x,0,0,x,0,0 (xx..x..)
0,0,0,x,x,0,0 (...xx..)
0,0,x,0,x,0,0 (..x.x..)
0,x,0,0,x,0,0 (.x..x..)
x,0,0,x,x,0,0 (x..xx..)
0,0,x,x,x,0,0 (..xxx..)
0,x,x,0,x,0,0 (.xx.x..)
0,0,0,0,2,0,0 (....1..)
0,2,0,0,2,0,0 (.1..2..)
0,0,0,2,2,0,0 (...12..)
0,0,3,0,2,0,0 (..2.1..)
0,0,0,0,5,0,0 (....1..)
x,0,0,0,2,0,0 (x...1..)
0,2,3,0,2,0,0 (.13.2..)
0,0,3,2,2,0,0 (..312..)
0,0,5,0,5,0,0 (..1.2..)
x,2,0,0,2,0,0 (x1..2..)
x,0,0,2,2,0,0 (x..12..)
0,0,0,0,7,0,0 (....1..)
0,0,3,0,5,0,0 (..1.2..)
0,0,5,0,2,0,0 (..2.1..)
0,2,0,0,5,0,0 (.1..2..)
0,0,0,2,5,0,0 (...12..)
0,0,3,0,2,2,0 (..3.12.)
x,0,0,0,5,0,0 (x...1..)
0,7,0,0,7,0,0 (.1..2..)
0,0,7,0,7,0,0 (..1.2..)
0,0,0,7,7,0,0 (...12..)
0,0,0,0,5,4,0 (....21.)
x,x,0,0,2,0,0 (xx..1..)
0,0,0,0,9,0,0 (....1..)
0,2,5,0,2,0,0 (.13.2..)
0,0,5,2,2,0,0 (..312..)
0,7,0,0,5,0,0 (.2..1..)
0,2,3,0,5,0,0 (.12.3..)
0,2,5,0,5,0,0 (.12.3..)
0,0,7,0,5,0,0 (..2.1..)
0,0,3,2,5,0,0 (..213..)
0,0,5,2,5,0,0 (..213..)
0,0,0,7,5,0,0 (...21..)
0,0,5,0,7,0,0 (..1.2..)
0,2,3,0,2,2,0 (.14.23.)
0,0,3,2,2,2,0 (..4123.)
0,0,0,0,5,2,0 (....21.)
0,0,3,0,2,4,0 (..2.13.)
0,7,7,0,7,0,0 (.12.3..)
0,7,0,7,7,0,0 (.1.23..)
0,0,7,7,7,0,0 (..123..)
0,0,5,0,5,4,0 (..2.31.)
x,0,0,0,7,0,0 (x...1..)
0,0,3,0,7,0,0 (..1.2..)
0,0,3,0,5,4,0 (..1.32.)
0,2,5,2,2,0,0 (.1423..)
0,7,5,0,5,0,0 (.31.2..)
0,7,7,0,5,0,0 (.23.1..)
0,2,5,2,5,0,0 (.1324..)
0,0,5,7,5,0,0 (..132..)
0,0,7,7,5,0,0 (..231..)
0,7,5,0,7,0,0 (.21.3..)
0,0,5,7,7,0,0 (..123..)
0,2,0,0,5,2,0 (.1..32.)
0,0,3,0,5,2,0 (..2.31.)
0,0,5,0,5,2,0 (..2.31.)
0,0,0,2,5,2,0 (...132.)
0,2,3,0,2,4,0 (.13.24.)
0,0,3,2,2,4,0 (..3124.)
0,2,0,0,5,4,0 (.1..32.)
0,0,0,2,5,4,0 (...132.)
x,2,0,0,5,0,0 (x1..2..)
x,0,0,2,5,0,0 (x..12..)
0,7,7,7,7,0,0 (.1234..)
0,7,0,0,9,0,0 (.1..2..)
0,0,7,0,9,0,0 (..1.2..)
0,0,0,7,9,0,0 (...12..)
0,0,0,0,5,4,5 (....213)
x,x,0,0,5,0,0 (xx..1..)
0,7,3,0,5,0,0 (.31.2..)
0,0,3,7,5,0,0 (..132..)
x,7,0,0,7,0,0 (x1..2..)
0,7,3,0,7,0,0 (.21.3..)
x,0,0,7,7,0,0 (x..12..)
0,0,3,7,7,0,0 (..123..)
0,10,0,0,9,0,0 (.2..1..)
0,0,0,10,9,0,0 (...21..)
x,0,0,0,5,4,0 (x...21.)
0,7,5,7,5,0,0 (.3142..)
0,7,5,7,7,0,0 (.2134..)
x,0,0,0,9,0,0 (x...1..)
0,0,5,0,9,0,0 (..1.2..)
0,2,3,0,5,2,0 (.13.42.)
0,2,5,0,5,2,0 (.13.42.)
0,2,0,2,5,2,0 (.1.243.)
0,0,3,2,5,2,0 (..3142.)
0,0,5,2,5,2,0 (..3142.)
0,2,3,0,5,4,0 (.12.43.)
0,2,5,0,5,4,0 (.13.42.)
0,0,3,2,5,4,0 (..2143.)
0,0,5,2,5,4,0 (..3142.)
0,2,0,0,2,0,5 (.1..2.3)
0,0,0,2,2,0,5 (...12.3)
0,2,0,0,5,0,5 (.1..2.3)
0,0,0,2,5,0,5 (...12.3)
x,7,0,0,5,0,0 (x2..1..)
x,0,0,7,5,0,0 (x..21..)
0,10,0,0,7,0,0 (.2..1..)
0,0,0,10,7,0,0 (...21..)
0,7,7,0,9,0,0 (.12.3..)
0,0,7,7,9,0,0 (..123..)
x,0,0,0,5,2,0 (x...21.)
0,7,0,0,5,4,0 (.3..21.)
0,0,7,0,5,4,0 (..3.21.)
0,0,0,7,5,4,0 (...321.)
0,0,5,0,5,4,5 (..2.314)
x,7,0,7,7,0,0 (x1.23..)
0,7,3,7,7,0,0 (.2134..)
0,0,3,0,7,4,0 (..1.32.)
0,0,3,0,5,4,5 (..1.324)
x,x,0,0,7,0,0 (xx..1..)

Hurtig Oversigt

  • Emadd11-akkorden indeholder tonerne: E, G, H, A
  • I fake 8 string-stemning er der 120 positioner tilgængelige
  • Hvert diagram viser fingerpositioner på 7-String Guitar-halsen

Ofte Stillede Spørgsmål

Hvad er Emadd11-akkorden på 7-String Guitar?

Emadd11 er en E Mol add11-akkord. Den indeholder tonerne E, G, H, A. På 7-String Guitar i fake 8 string-stemning er der 120 måder at spille på.

Hvordan spiller man Emadd11 på 7-String Guitar?

For at spille Emadd11 på i fake 8 string-stemning, brug en af de 120 positioner vist ovenfor.

Hvilke toner indeholder Emadd11-akkorden?

Emadd11-akkorden indeholder tonerne: E, G, H, A.

På hvor mange måder kan man spille Emadd11 på 7-String Guitar?

I fake 8 string-stemning er der 120 positioner for Emadd11. Hver position bruger et andet sted på halsen: E, G, H, A.

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